I shot Jason with a 430ex up high directly behind him. It was snooted with a home-made black straw grid. The grid really helped to keep the spread of the light narrow which creates that spotlight-theatrical feel when shooting directly into it.
The rest of the shot was taken care of with another 430ex this time in a large shoot thru umbrella.
The metering on this shot was a departure from my normal methods....I usually stick it all on manual....camera, flashes, everything....this time I gave Ettl a chance....mainly because I have been experimenting with the high speed sync capabilities of the 430ex's when slaved from the master 580ex.
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